The magic lies in dual stage compression: discrete and optical. Once you get past the seemingly unorthodox design, this thing is just a beast. This thing looks intimating with its massive dials and meters, and ominous looking green LED lights. Here’s a gigantic hunk of analog magic that has an awesome plugin emulation.
It’s not based on any old analog gear, it just takes the best of what the digital world has to offer and capitalizes on it. Pro-Q 3 may be one of the best known EQ plugins ever produced. Pro-L is loud, it’s clear, and it’s a quality mastering limiter. It comes with all sorts of very detailed metering options so you can be sure you’re delivering the right spec based on what this plugin tells you. FabFilter is known for making some of the classiest plugins on the planet, and Pro-L 2 is definitely one of them. This is a true peak limiter noted for its transparency as well as its loudness. The UAD emulation sounds amazing, but there are plenty of other takes on the G bus that sound equally incredible. People often call it the ‘glue’ at the end of a group or mix, so it’s great for using as the primary compressor on a mastering chain. Its lore includes making records sound bigger, punchier, and more powerful, all without sacrificing the detail and clarity of a mix. The SSL 4000 G is one of the most famous bus compressors of all time. There’s nothing fancy, no robot takeover, just a high-end analog emulation for taking your masters to the next level. We were talking AI earlier, and this is the opposite of that. The layout is simple and intuitive, and gives you pretty much everything you need to add that extra coat of varnish on a mix in a single plugin. Brainworx bx_masterdeskīx_masterdesk emulates a premium analog mastering chain.
Plus, each channel has a saturation knob (XL) that can add a bit more ‘oomph’ to whatever you choose. This clever mid-side limiter gives you separate control over the different parts of a mix-it’s technically four limiters in one, each with precise control over a certain frequency spectrum. The XL limiter by Brainworx is an effort to maximize loudness without squashing the life out of every mix or master.
If intelligent plugins are the future of mastering, Ozone 9 is at the forefront. It can EQ match a reference track and find the overall balance for your individual master. What they call “the future of mastering,” Ozone 9 is an intelligent mastering assistant that can help you dial in the appropriate vintage or modern vibe, as well as the ideal loudness for streaming. Ozone 9 builds on a nearly 20-year legacy of innovation over at iZotope. Say what you will about AI in mastering, the Elevate bundle is fantastic plugin suite for this purpose. As is becoming the case with many plugins in 2021, Elevate makes ample use of artificial intelligence to make it easier to shape the best sounds possible.
They include EQ, multi-band limiting, saturation, and maximizing. Eventide Elevate BundleĮventide’s Elevate bundle is a suite of four mastering plugins. Not only that, but this chain is actually heard on Dark Side of the Moon and OK Computer to name but two legendary projects that the EMI Transfer Console has graced over the decades. It’s one of the most affordable mastering plugins you can get, thanks to Waves consistent promo offers and discounts. The Abbey Road mastering chain by Waves emulates the same EMI chain used in all of Abbey Road’s mastering rooms. Here are a few of the best mastering plugins you can get:
#SLATE FGX HIPHOOP PRO#
Video can’t be loaded because JavaScript is disabled: Mastering a Pop/Rock Song with Ian Shepherd – Warren Huart: Produce Like A Pro ()
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